I finally was able to start this new piece "box full of honey" last night. I've been wanted to start it for a while and things just seem to get in the way- things like, no having the right materials, having a heavy work load at my day job, doing laundry, unpacking the studio, thanksgiving dinner oven issues, Christmas shopping, dog walking. I could make a bunch of excuses, of all the things that have kept me from working on a real piece, a piece with teeth, all of them are just really were ways to stall. But, in this case, stalling was OK. In this case, I will call it INCUBATING.
Incubating... My favorite part of the design process. Way back when I was a theatre student, we learned about the design process. For me making art is all about the process. How you get from point A to point B. I learn so much about myself when I am engaged in a project. It helps me move forward, in my life and in my head.
So this thing called the design process, what is it? It's
really a problem solving model.
The problem: I have a piece of art that I am inspired to make. How do I do it?
The solution can be found through the process:
1- Commitment- you commit to the project- are you going to do it or not. Once you commit, you can't go back you have to move forward. Can can put things on hold, but have to see it through. You have to focus your intentions on the thing. set your focus on the challenge.
2- Analysis and research- gather information and figure out what you need to know more about. for me this gathering is often with images and music. I get hooked on to the thing that is inspiring me and either fill my bulletin boards with tons and tons of tear sheets or play the same music over and over again. I look in every nook and cranny for clues, for more intellectual and emotional information that will help me put together the piece.
3- INCUBATION- this is when you do nothing... you just let the idea GROW ( or fester) inside you.
4-Selection-pick the materials you are going to work with- get a good STRONG idea of what you want the thing to look like in the end.
5-Implementation- DO IT. Sit down and just get you hands dirty and do it!
6-Evaluation- when you think your done, or your deadline says your done. Stand back, look at what you did an make some HONEST judgements of what you like and dislike about your piece. What you would change, what you'd never change, what yo
u could never recreate if you ever had the chance again.
That's the Design Process. It's not really all that
linear either. You can jump around and be in two different places at once (a feat of
metaphysics!!) but that's it in a nut shell. Can't believe, I remembered the whole thing. Angela Brande, design professor, would be proud of me now!
So, this is the beginnings of my latest project. Part of me really wanted to finish this before 12/10, because it is inspired by a DD song. I wanted to bring it to Montreal with me. Why? Because I'm a nutter. Actually, because, unlike some crazy screaming fan, their music inspires my life beyond the "normal" bounds. It's like Van
Gogh or
Frida is for some painters. Like the way a certain book might inspire someone else to create. I'm not talking about the "Hungry like the Wolf" or "Is there something I should know" songs. I'm referring to a wider breath of material that is a little more
obscure, lesser know, but packs a stronger punch for me.
So back to my
WIP and the photos-This is my "box full of honey." With ma
ny thanks to
SLB for the lyrics as inspiration and my dear
cyber artist friend,
Laurie Blau-Marshall for the lovely honey comb, that was ABSOLUTELY perfect for this project. I washed the comb with a little
Uzzzzhhhh (thank you
Michael De Meng) and now it has a beautiful deep honey color. I used one of my newest ladies, Helen (she is so beautiful.) I bought her from a great
Etsy seller,
The Art Garage. And of course, there's my sad WWI, vet on the top of the box. My haunting ghost man, who shares the same birthday that I do. Only he was born in 1896 and I was born in 1969.
And this is in no way anywhere near being finished. But we are getting there- and I do have a STRONG vision of what I want this to be when it is done.
I've written much too much tonight, some of which is probably too
revealing about how I work. But, that's
ok. One of my H.A.G.s is to open my heart more. So sharing how I get from point A to point B is a good thing.
Box full o' honey
At the sharp end of the view
The edge of me and you
And all good sense dare tread no further
And as the ghost will shiver trees
How I'm trembling on my knees
But I'm still drawn on by the murmur
Are you laughing at me now
In my circumstance
When still I wear I your crown
My life's penitence
And for what
What's so funny
A box full o honey
What I thought a pretty tune
Was howling at the moon
To keep me company this evening
It's so lonely in the dirt
A scratching at the hurt
But I so generously did leave you
Are you laughing at me now
In my circumstance
When still I wear I your crown
Some cruel penitence
For what
What's so funny
Box full o honey
Is she flirting with me now
Is she dallying with me now
Are you flirting with me now
You'll always be my queen of tumble down
Miss melancholy
Are you laughing at me now
In my circumstance
When still I wear I your crown
And my life's a penitence
And for what
What's so funny
Ain't it funny
A box full o honey